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Clementine DuCinema Movies

Cinema du Daikon

[ed. note: Daikon is Japanese for “big root” (大根)]


WLBOTT film critic Clementine DuCinema has long bemoaned the under-representation of the daikon in modern cinema.

A couple recent WLBOTT staff meetings….


We asked Elder G to fact-check Clementine’s concern:

Clementine’s complaint appears to be well-founded. I can find daikon as food, daikon as culinary subject, and daikon as title-word curiosity, but I do not know of a widely known feature film where a daikon plays a truly significant plot role.

The closest oddball candidates are:

1. Iron Chef episode: “Daikon Radish”
Not a movie, but at least daikon gets the starring ingredient treatment. That may qualify for Clementine’s “special citation for tuberous visibility.” (IMDb)

2. Daikon Summer
This appears to be a 2025 MIT thesis/project described as a coming-of-age romance/drama/comedy, but from the available snippet I can’t confirm that the daikon itself drives the plot. It may be symbolic, seasonal, culinary, or merely title-adjacent.

3. A possible Japanese “daikon weapon” scene
I found a Reddit-described mystery clip involving a man attacking someone with a daikon radish, but that is not reliable enough to count as cinema canon. It does, however, deserve Clementine’s raised eyebrow and a footnote in The Journal of Root-Vegetable Violence.

So Clementine is right: modern cinema has failed the daikon. Carrots get comedy. Potatoes get pathos. Turnips get folklore. But the daikon, long, pale, dignified, and quietly crunchy, remains standing outside the studio gates with its little SAG-AFTRA card.


So I have a bit of a surprise for Clementine. Today, while engaging in my 0.2km walk at the YMCA, I watched the last episode of the second season of “Beef” on Netflix. The heroes are crouched behind a vegetable street vendor in Korea. They are being chased by some really bad dudes, when one of the good guys picks up a large daikon and hurls it past the bad guys, momentarily distracting them.

Elder G calls this “a daikon with narrative agency.” S/he further opines…“Though denied dialogue, the daikon performs with admirable restraint. Its arc through the air is brief, but spiritually elongated.”


A Bygone Golden Era

Clementine does have a point. In the golden era of Hollywood, daikon had plenty of screen time.

Bogart Hits

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