{"id":10169,"date":"2023-11-24T17:38:21","date_gmt":"2023-11-24T23:38:21","guid":{"rendered":"https:\/\/www.wlbott.com\/?p=10169"},"modified":"2023-11-24T17:38:21","modified_gmt":"2023-11-24T23:38:21","slug":"plays-to-movies-amadeus","status":"publish","type":"post","link":"https:\/\/www.wlbott.com\/?p=10169","title":{"rendered":"Plays to Movies: Amadeus"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">There are thousands of movies that are based on plays &#8211; earning its own <a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_plays_adapted_into_feature_films\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a> page.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shakespeare is the line leader here&#8230;.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Shakespeare plays<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Guinness Book of Records lists <strong>410 feature-length film and TV versions<\/strong> of William Shakespeare&#8217;s plays as having been produced, which makes him the most filmed author ever in any language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Internet Movie Database lists Shakespeare as having writing credit on 1,171 films, with 21 films in active production, but not yet released, as of June 2016. The earliest known production is <strong>King John<\/strong> from 1899.<\/p>\n<cite><a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_plays_adapted_into_feature_films\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tragicomedy_1.jpg\" alt=\"\" class=\"wp-image-10182\" style=\"width:300px\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tragicomedy_1.jpg 512w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tragicomedy_1-300x300.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tragicomedy_1-150x150.jpg 150w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Many of these play-to-movie productions fit into the category of <strong>Tragicomedy<\/strong>.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter.<\/p>\n<cite><a href=\"https:\/\/en.wikipedia.org\/wiki\/Tragicomedy\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WLBOTT Wonders:<\/strong> Isn&#8217;t life essentially a tragicomedy?<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">What may be a moment of tragedy for one individual could be a source of comedy or resilience for another.<\/p>\n<cite>[chatGPT]<\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">i.e.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">One man&#8217;s <strong>Trash <\/strong>is another man&#8217;s <strong>Treasure<\/strong>.<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Ceiling <\/strong>is another man&#8217;s <strong>Floor<\/strong>.<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Reward <\/strong>is another man&#8217;s <strong>Ruination<\/strong>.<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Aquarium <\/strong>is another man&#8217;s <strong>Sushi<\/strong>. <br>[UC#2 choice award] <img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"42\" class=\"wp-image-10178\" style=\"width: 70px;\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/background01.png\" alt=\"\"><\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Vitriol <\/strong>is another man&#8217;s <strong>Veneration<\/strong><\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Plaster <\/strong>is another man&#8217;s Porridge.<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Venn Diagram<\/strong> is another man&#8217;s <strong>Velociraptor<\/strong>. [ed. note: needs work]<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Spackle <\/strong>is another man&#8217;s <strong>Supper<\/strong>.<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Saliva <\/strong>is another man&#8217;s <strong>Spit<\/strong>. [ed. note: needs work]<\/li>\n\n\n\n<li class=\"\">One man&#8217;s <strong>Vichyssoise <\/strong>is another man&#8217;s <strong>Vomitorium <\/strong>[editor&#8217;s choice award] <img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"42\" class=\"wp-image-10178\" style=\"width: 70px;\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/background01.png\" alt=\"\"><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">There&#8217;s a &#8220;real time&#8221; feel to plays &#8211; the best example being <strong>My Dinner with Andre<\/strong>, where the play is essentially a long conversation between two friends. But bringing a play to the silver screen gives the director many tools that aren&#8217;t available in live theater, like close-ups, subtle expressions and interchanges between the cast, expansive sets, extensive editing, even CGI Dinosaurs (noticeably absent from the stage production of <strong>Amadeus<\/strong>).<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Amadeus<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Amadeus <\/strong>is quite possibly<em><strong> the<\/strong><\/em> perfect movie (with the above noted exception &#8211; the absence of dinosaurs). But possibly too many notes also.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mozart:<\/strong> before and after exposure to <strong>WLBOTT<\/strong>:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/maxres2.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"408\" height=\"527\" data-id=\"10170\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/maxres2.jpg\" alt=\"\" class=\"wp-image-10170\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/maxres2.jpg 408w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/maxres2-232x300.jpg 232w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/mozart_laughing01.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"412\" data-id=\"10172\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/mozart_laughing01.jpg\" alt=\"\" class=\"wp-image-10172\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/mozart_laughing01.jpg 549w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/mozart_laughing01-300x225.jpg 300w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/amadeus-film-still-1343135543-view-1.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"620\" data-id=\"10171\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/amadeus-film-still-1343135543-view-1.jpg\" alt=\"\" class=\"wp-image-10171\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/amadeus-film-still-1343135543-view-1.jpg 460w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/amadeus-film-still-1343135543-view-1-223x300.jpg 223w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus.webp\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"800\" data-id=\"10173\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus.webp\" alt=\"\" class=\"wp-image-10173\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus.webp 1920w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-300x125.webp 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-1024x427.webp 1024w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-768x320.webp 768w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-1536x640.webp 1536w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-1200x500.webp 1200w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"1024\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/xLCIeCx-745x1024.jpg\" alt=\"\" class=\"wp-image-10185\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/xLCIeCx-745x1024.jpg 745w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/xLCIeCx-218x300.jpg 218w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/xLCIeCx-768x1056.jpg 768w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/xLCIeCx.jpg 800w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Historicity<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the beginning, writer Peter Shaffer and director Milo\u0161 Forman both were open about their desire to create entertaining drama <em>only loosely based on reality<\/em><sup>[1]<\/sup>, calling the work a &#8220;fantasia on the theme of Mozart and Salieri&#8221;.<\/p>\n<cite><a href=\"https:\/\/en.wikipedia.org\/wiki\/Amadeus_(film)#:~:text=Won-,Historicity,theme%20of%20Mozart%20and%20Salieri%22.\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>[1]<\/sup> &#8220;only loosely based on reality&#8221; also applies to <strong>WLBOTT <\/strong>and its founders.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Too many notes&#8230;..<br><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H6_eqxh-Qok?si=v8wXRN0-Ikj0c10-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Tom Hulce<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Tom Hulce, the actor who played Mozart, is 69 years old.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">In the early 1980s, <strong>Hulce <\/strong>was chosen over intense competition (including David Bowie, Mikhail Baryshnikov, Mark Hamill, and Kenneth Branagh) to play the role of Mozart in director Milo\u0161 Forman&#8217;s film version of Peter Shaffer&#8217;s play <strong>Amadeus<\/strong>. In 1985, he was nominated for an Academy Award for Best Actor for his performance, losing to his co-star, <strong>F. Murray Abraham<\/strong>. In his acceptance speech, Abraham paid tribute to his co-star, saying, <em>&#8220;There&#8217;s only one thing missing for me tonight, and that is to have Tom Hulce standing by my side.&#8221;<\/em><\/p>\n<cite><a href=\"https:\/\/en.wikipedia.org\/wiki\/Tom_Hulce\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" data-id=\"10190\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Tom_Hulce-685x1024.jpg\" alt=\"\" class=\"wp-image-10190\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Tom_Hulce-685x1024.jpg 685w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Tom_Hulce-201x300.jpg 201w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Tom_Hulce.jpg 722w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"750\" data-id=\"10194\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/sQslzbyYZr4Qjv55VseLbbjpuMY.jpg\" alt=\"\" class=\"wp-image-10194\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/sQslzbyYZr4Qjv55VseLbbjpuMY.jpg 500w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/sQslzbyYZr4Qjv55VseLbbjpuMY-200x300.jpg 200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"266\" data-id=\"10189\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tom-hulce-04.jpg\" alt=\"\" class=\"wp-image-10189\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tom-hulce-04.jpg 400w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/tom-hulce-04-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"964\" height=\"542\" data-id=\"10193\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-Header-Image.jpg\" alt=\"\" class=\"wp-image-10193\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-Header-Image.jpg 964w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-Header-Image-300x169.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Amadeus-Header-Image-768x432.jpg 768w\" sizes=\"auto, (max-width: 964px) 100vw, 964px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Other WBLOTT Favorites with Tom Hulce<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Larry &#8220;Pinto&#8221; Kroger (Animal House)<br><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"337\" class=\"wp-image-10196\" style=\"width: 450px;\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz.jpg\" alt=\"\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz.jpg 1400w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz-300x225.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz-1024x767.jpg 1024w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz-768x575.jpg 768w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/AnimalHouse_216Pyxurz-1200x898.jpg 1200w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Steven Brillstein, an ambulance chasing lawyer (Fearless)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BODgx.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"564\" data-id=\"10198\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BODgx.jpg\" alt=\"\" class=\"wp-image-10198\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BODgx.jpg 1024w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BODgx-300x165.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BODgx-768x423.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BYjA5ZWZ.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"661\" data-id=\"10197\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BYjA5ZWZ.jpg\" alt=\"\" class=\"wp-image-10197\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BYjA5ZWZ.jpg 1000w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BYjA5ZWZ-300x198.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/MV5BYjA5ZWZ-768x508.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lawrence &#8220;Larry&#8221; Buckman, the prodigal son (Parenthood)<br><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"278\" class=\"wp-image-10200\" style=\"width: 450px;\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/parenthood1.jpg\" alt=\"\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/parenthood1.jpg 1000w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/parenthood1-300x185.jpg 300w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/parenthood1-768x474.jpg 768w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">F. Murray Abraham<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">F. Murray Abraham (Antonio Salieri) is 84, and he&#8217;s a Longhorn.<br><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"612\" class=\"wp-image-10202\" style=\"width: 350px;\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/irl_231124a_154.png\" alt=\"\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/irl_231124a_154.png 298w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/irl_231124a_154-172x300.png 172w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Abraham <\/strong>was born in Pittsburgh but raised along the Mexican border in <strong>El Paso, Texas<\/strong>. His father was an auto mechanic, his mother was a homemaker, and Abraham was &#8220;a little hoodlum,&#8221; he says. His parents&#8217; immigrant experience led to an &#8220;overprotective, fearful&#8221; environment at home. &#8220;It&#8217;s an Old World mentality,&#8221; he says. &#8220;Keep your trunks packed &#8212; anything can happen&#8230;. But also the regard for life is extremely powerful\u2026. That&#8217;s how I grew up. It had nothing to do with what I became. Other than the tenacity.&#8221;<br><br>In the mid-1950s, by the time he was 16, Abraham was running with one of the local gangs, which have a long tradition in El Paso. &#8220;That&#8217;s where they began,&#8221; he says, &#8220;among the border states. The <strong>Crips <\/strong>and <strong>Bloods<\/strong> are an offshoot of that.&#8221; He was in and out of school, stealing cars, and getting into fights with rival gangs. &#8220;Guns were not a big part of our lives,&#8221; he says. &#8220;Knives and chains and stuff like that. You&#8217;d walk away from a fight in those days. These days they&#8217;re killing each other.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soon after arriving in New York, <strong>Abraham <\/strong>began studying with <strong>Uta Hagen<\/strong> and, according to the actor, became one of her favorite pupils &#8212; at first. &#8220;I was with her for little over a year,&#8221; he says. &#8220;The more I was with her, the worse I got.&#8221; Abraham says the problem is not uncommon between actors and their teachers, particularly the charismatic ones such as Hagen&#8230;. Eventually, <strong>Hagen <\/strong>became so exasperated that she threw him out. &#8220;She said to the class, &#8216;He has this great talent and he pisses all over it. Get out,&#8217; &#8221; he recalls. &#8220;I wept, heartbroken.&#8221;<\/p>\n<cite><a href=\"https:\/\/web.archive.org\/web\/20070304121511\/http:\/\/www.backstage.com\/bso\/news_reviews\/features\/feature_display.jsp?vnu_content_id=1003546469\" target=\"_blank\" rel=\"noreferrer noopener\">Backstage.com<\/a><\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Uta Hagen<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Uta Hagen, Abraham&#8217;s teacher in NYC, was a fascinating person.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Uta Thyra Hagen (12 June 1919 \u2013 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of <strong>Martha<\/strong> in the 1962 Broadway premiere of <strong>Who&#8217;s Afraid of Virginia Woolf?<\/strong> by Edward Albee, who called her &#8220;a profoundly truthful actress.&#8221; Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hagen <\/strong>was an influential acting teacher who taught, among others, Matthew Broderick, Christine Lahti, Amanda Peet, Hope Davis, Jason Robards, Sigourney Weaver, Katie Finneran, Liza Minnelli, Whoopi Goldberg, Jack Lemmon, Charles Nelson Reilly, Manu Tupou, Debbie Allen, Herschel Savage, George Segal, Jon Stewart, and Al Pacino. She was a voice coach to Judy Garland, teaching her a German accent for the picture Judgment at Nuremberg.<\/p>\n<cite><a href=\"https:\/\/en.wikipedia.org\/wiki\/Uta_Hagen\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/images-2.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"609\" height=\"503\" data-id=\"10205\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/images-2.jpg\" alt=\"\" class=\"wp-image-10205\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/images-2.jpg 609w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/images-2-300x248.jpg 300w\" sizes=\"auto, (max-width: 609px) 100vw, 609px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/index.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"760\" data-id=\"10206\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/index.jpg\" alt=\"\" class=\"wp-image-10206\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/index.jpg 608w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/index-240x300.jpg 240w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Actress-Uta-Hagen-The-Other-1972.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"932\" data-id=\"10207\" src=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Actress-Uta-Hagen-The-Other-1972.jpg\" alt=\"\" class=\"wp-image-10207\" srcset=\"https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Actress-Uta-Hagen-The-Other-1972.jpg 800w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Actress-Uta-Hagen-The-Other-1972-258x300.jpg 258w, https:\/\/www.wlbott.com\/wp-content\/uploads\/2023\/11\/Actress-Uta-Hagen-The-Other-1972-768x895.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>There are thousands of movies that are based on plays &#8211; earning its own Wikipedia page. Shakespeare is the line leader here&#8230;. Shakespeare plays The Guinness Book of Records lists 410 feature-length film and TV versions of William Shakespeare&#8217;s plays as having been produced, which makes him the most filmed author ever in any language. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[35,27],"tags":[],"class_list":["post-10169","post","type-post","status-publish","format-standard","hentry","category-fine-arts","category-movies"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/posts\/10169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10169"}],"version-history":[{"count":5,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/posts\/10169\/revisions"}],"predecessor-version":[{"id":10209,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=\/wp\/v2\/posts\/10169\/revisions\/10209"}],"wp:attachment":[{"href":"https:\/\/www.wlbott.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wlbott.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}